the experiment under any circumstances. Still, an experiment of this kind may have an advantage of its own, even when it is unsuccessful; it may serve as a piece of embodied criticism, showing what the experimenter conceived to be the conditions of success, and may thus, to borrow Horace's own metaphor of the whetstone, impart to others a quality which it is itself without. Perhaps I may be allowed, for a few moments, to combine precept with example, and imitate my distinguished friend and colleague, Professor Arnold, in offering some counsels to the future translator of Horace's Odes, referring, at the same time, by way of illustration, to my own attempt.
The first thing at which, as it seems to me, a Horatian translator ought to aim, is some kind of metrical conformity to his original. Without this we are in danger of losing not only the metrical, but the general effect of the Latin; we express ourselves in a different compass, and the character of the expression is altered accordingly. For instance, one of Horace's leading features is his occasional sententiousness. It is this, perhaps more than anything else, that has made him a storehouse of quotations. He condenses a general truth in a few words, and thus makes his wisdom portable. "Non,
