si male nunc, et olim sic erit;" "Nihil est ab omni parte beatum;" "Omnes eodem cogimur,"—these and similar expressions remain in the memory when other features of Horace's style, equally characteristic, but less obvious, are forgotten. It is almost impossible for a translator to do justice to this sententious brevity unless the stanza in which he writes is in some sort analogous to the metre of Horace. If he chooses a longer and more diffuse measure, he will be apt to spoil the proverb by expansion; not to mention that much will often depend on the very position of the sentence in the stanza. Perhaps, in order to preserve these external peculiarities, it may be necessary to recast the expression, to substitute, in fact, one form of proverb for another; but this is far preferable to retaining the words in a diluted form, and so losing what gives them their character, I cannot doubt, then, that it is necessary in translating an Ode of Horace to choose some analogous metre; as little can I doubt that a translator of the Odes should appropriate to each Ode some particular metre as its own. It may be true that Horace himself does not invariably suit his metre to his subject; the solemn Alcaic is used for a poem in dispraise of serious thought and praise of wine; the Asclepiad stanza in which Quintilius is lamented is
