OF SIX MEDIÆVAL WOMEN
the which, flying with outspread wings, straightway went before her, tempering its flight in unwonted way so that the virgin, walking with her companions, might be able to follow in a straight course its aerial track. And when the dove in its flight had come to the place which we now know was not wanting in great stones, it descended, and with its beak pierced through the ground,[1] where, beneath the soil, many stones were disclosed. And assured by this sight, the very worthy virgin of Christ bade her companions clear away the heavy mass of earth, and lay the spot bare. And this done, supernal and devout piety presiding over the work, a great wealth of mighty stones was brought to view, whence all the needful material for the walls of the monastery already begun, and of the church, could be obtained. Then, striving ever more and more with all their heart, the builders of the temple destined to be consecrated to the glory of God, laboured at the work by night and by day.
Thus does Roswitha tell how the work of the new Foundation was begun, the Duke Liudolf and his wife having already journeyed to Rome to ask of the Pope his blessing, as well as to beg of him, as a token of his favour, some sacred relics to deposit there. The Pope, giving them his blessing, thus makes answer to their request:—
- ↑ The intervention of a bird to aid in discovery was a favourite tradition derived from antiquity. We may recall, amongst many variants of the theme, the story of the celebrated expedition of the Athenians to the Island of Scyros to find and recover the body of Theseus. Theseus, being a hero, the agent employed in the quest must likewise be distinguished, and so the eagle, Zeus's bird, is alone thought worthy to peck the earth and indicate the resting-place of the demi-god.
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