ROSWITHA THE NUN
St. Paul. With such care have the illustrious bodies of these two been heretofore preserved by all the rulers of this city, that never has any one been permitted to carry away the least portion of them, and thus their sacred limbs remain undiminished. But forasmuch as it is meet that I yield to your pious request, I will grant you, without recompense, tokens from both these sacred bodies, cut before your very eyes from off the sacred bodies themselves, if so be that you will make solemn oath to me to venerate these relics in your community, of the which you have made mention, preserving them for all time within your Church, sacred hymns being there sung by night and by day, and a light being alway kept burning. And of our apostolic right we ordain, according to your request, that your community be of our See, to the end that it may be secured from all secular rule.
And Liudolf, with glad heart, made promise of this, and returned home with the coveted relics.
The MS., now at Munich, which tells this fascinating story of love and faith, was, it is considered, written about A.D. 1000, and was fortunately preserved in the Benedictine convent of St. Emmeran, Ratisbon, where the scholar and poet, Conrad Celtes, discovered it at the end of the fifteenth century. It also includes metrical legends, a fragment of a panegyric on the Emperor Otho, and six dramas. Of such worth were these latter counted, that when Celtes published the MS. in 1501, Albert Dürer received a commission for an ornamental title-page, and for a frontispiece to each of the plays. It is by these dramas that Roswitha has distinguished herself in the world of letters; for although the legends contain points of interest, and are treated with skill, they are
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