Page:Philological Museum v2.djvu/499

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On the Irony of Sophocles.
489

no unapt image of the ill which Dante deplored, as the consequence, though not the effect, of his conversion[1]. But instead of dwelling on the numerous contrasts of this kind which history suggests in illustrating the fragile and transitory nature of all mortal greatness, we shall draw nearer to our main point, and shall at the same time be taking a more cheering view of our subject, if we observe, that, as all things human are subject to dissolution, so and for the same reason it is the moment of their destruction that to the best and noblest of them is the beginning of a higher being, the dawn of a brighter period of action. When we reflect on the colossal monarchies that have succeeded one another on the face of the earth, we readily acknowledge that they fulfilled the best purpose of their proud existence, when they were broken up in order that their fragments might serve as materials for new structures. We confess with a sigh that the wonders of Egypt were not a mere waste of human labour, if the sight of them inspired the genius of the Greeks. But we should have been more reluctant to admit that this nation itself, which stands so solitary and unapproachable in its peculiar excellence, attained its highest glory, when, by the loss of its freedom and its power, it was enabled to diffuse a small portion of its spirit through the Roman world: had it not been that it was the destiny of this Roman world to crumble into dust, and to be trampled by hordes of barbarians, strangers to arts and letters. Yet we can believe this, and things much more wonderful, when we contemplate that new order of things, which followed what seemed so frightful a darkness, and such irretrievable ruin.

We must add one other general remark before we proceed to apply the preceding. There is always a slight cast of irony in the grave, calm, respectful attention impartially bestowed by an intelligent judge on two contending parties, who are pleading their causes before him with all the earnestness of deep conviction, and of excited feeling. What makes the contrast interesting is, that the right and the truth lie on neither side exclusively: that there is no fraudulent purpose, no gross imbecility of intellect, on either: but both have plausible

  1. Inf. xix. Ahi, Costantin, di quanto mal fu matre, Non la tua conversion, ma quella dote Che da te prese il primo ricco patre.