of them, I shall spare myself and the Reader the trouble of considering the Imagination as it deals with thoughts and sentiments, as it regulates the composition of characters, and determines the course of actions: I will not consider it (more than I have already done by implication) as that power which, in the language of one of my most esteemed Friends, "draws all things to one, which makes things animate or inanimate, beings with their attributes, subjects with their accessaries, take one colour and serve to one effect[1]." The grand store-house of enthusiastic and meditative Imagination, of poetical, as contradistinguished from human and dramatic Imagination, is the prophetic and lyrical parts of the holy Scriptures, and the works of Milton, to which I cannot forbear to add those of Spenser. I select these writers in preference to those of ancient Greece and Rome because the anthropomorphitism of the Pagan religion subjected the minds of the greatest poets in those
- ↑ Charles Lamb upon the genius of Hogarth.
