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equal compass a greater number of exquisite feelings felicitously expressed. But, from regard to the Critic's own credit, he would not have ventured to talk of an [1] act of parliament not being strong enough to compel the perusal of these, or any production of Shakespeare, if he had not known that the people of England were ignorant of the treasures contained in those little pieces; and if he had not, moreover, shared the too common propensity of human nature to exult over a supposed fall into the mire of a genius whom he had been compelled to regard with admiration, as an inmate of the celestial regions,—"there sitting where he durst not soar."
Nine years before the death of Shakespeare, Milton was born; and early in life he published several small poems, which, though on their first appearance they were praised by a few of the judicious, were afterwards neglected to that degree that Pope, in his youth, could pilfer from them without danger of detection.—Whether these poems are at this day justly appreciated I will not undertake to decide: nor would it imply a severe reflection upon the mass of Readers to suppose the contrary; seeing that a Man of the acknowledged genius of Voss, the German Poet, could suffer their spirit to evaporate; and could change their character, as is done in the translation made by him of the most popular of those pieces. At all events it is certain that these Poems of Milton are now much read, and loudly praised; yet were they little heard of till more than 150 years after their publication; and of the Sonnets, Dr. Johnson, as appears from Boswell's
- ↑ This flippant insensibility was publickly reprehended by Mr. Coleridge in a course of Lectures upon Poetry given by him at the Royal Institution. For the various merits of thought and language in Shakespeare's Sonnets see Numbers 27, 29, 30, 32, 33, 54, 64, 66, 68, 73, 76, 86, 91, 92, 93, 97, 98, 105, 107, 108, 109, 111, 113, 114, 116, 117, 129, and many others.
