Page:Poetry of the Magyars.djvu/38

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xvi
INTRODUCTION.


3
4
5
6
7
8
9
10
11

12

20
100
1000

Volguls
Kurom
Nilli
At
Kot
Sat
Nöllon
Ontollon
Lou
Akukniplon

Kitkniplon

Kus
Shät
Shotz

Pennic
Kuum
Njol
Vit
Kuat
Sisim
Kökjammas
Ukmus
Dass

Ostiaks
Chulom
Nilha
Uwat
Chot
Sabat
Nicha
Artjan
Jong
Igut-jong

Katchutjong

Chus
Sot
Turres

Finnish
Kolmi
Neljă
Viisi
Kuusi
Seitsemău
Kahdeksau
Yhdeksăn
Kymmenan
Iksitoistakym- mentă
Kaksitoistakym- mentă
Kaksikymmentă
Sata
Tuhans.


The prosody of the Magyar is very remarkable. There is no measure of Latin or Greek rythmus to which it does not lend itself. Pyrrhĭcs and Spōndēes abound. The trĭbrăch and mōlōssūs are not wanting; and all the intermixtures of long and short feet, Iămbïcs, Trōchĕes, Dāctyls, and ănăpēsts. Virág's Magyar Prosodia és Magyar Irás,[1] contains specimens of every classical mea- sure. Other specimens of the adaptation of the Magyar may be found in his Poesia, at the end of his Tragedy of Hunyadi László.[2] The first ex- ample of measured verse is of the date of 1541.


The dialects of Hungary are not much unlike;

  1. Buda. 8vo. 1820.
  2. Buda. 8vo. 1817.