which rose from the bed and formed a revetment not easily descended.
Of the other groups of temples, the temple nearest to the group described is almost entire and in excellent order; the top of the tower is crowned as usual by the amalaka, over which rises an urn-shaped stone finial, as in the temples at Barâkar; this temple is deserted. Lakshmi, with elephants pouring water over her, is sculptured over the entrance, and in the interior is a finely executed statue.
To the right and about 1,000 feet south is another temple, also with Lakshmi over the entrance; a four-armed statue of Vishnu is enshrined in the sanctum.
About a quarter mile east of this, another temple, also single-cell, faces north, and has sculptured over the entrance a figure seated, with an elephant raising his trunk over the figure's head; it is difficult to tell whether the figure is male or female; it holds a lotus in one hand; the statue inside is of Vishnu, four-armed, in the Narasinha incarnation.
There is, besides these, a broken temple of Vishnu Chaturbhuj. This temple is valuable, from having lost its front, while the other parts are to a great extent almost uninjured, and therefore capable of illustrating effectually the constructive features of this class of temples. See photograph.
Two temples and several statues stand in the east end of the village, not worth detailed description.
Besides these, there are, further south, several detached temples; one of Vishnu or Siva, and close to it a temple to Buddha, with the ruins of a large monastery, in the shape of a large brick mound, close to it: this is, I believe, the only Buddhist temple in the place; it may, however, be Jain, for the sculpture over the entrance, the only clue now visible as to its purpose, is too small and too weather-beaten to show distinctly whether it is, or is not, Jain.
Near these, but standing by itself, on and near a somewhat large mound, is a temple that appears to have been once larger; the entrance of the temple is profusely ornamented with minute sculpture; there are four lines of figures on each side; the first row or line consists of the incarnations of Vishnu, the next of bearded sages, the third of obscene figures, most probably scenes from Krishna’s life; the last row is of fancy animals; the temple was clearly Vaishnavic, and Krishna is sculptured over the entrance; he is represented seated on a throne or seat, one leg resting on the ground, the other tucked up and doubled in front, as in sitting cross-legged.
