anchorholds were in the open country or forest-lands like those that we come upon in Medieval romances, but many churches of the villages and towns had attached to them a timber or stone "cell"—a little house of two or three rooms inhabited by a recluse who never left it, and one servant, or two, for errands and protection. Occasionally a little group of recluses lived together like those three young sisters of the Thirteenth Century for whom the Ancren Riwle, a Rule or Counsel for "Ancres," was at their own request composed. The recluse's chamber seems to have generally had three windows: one looking into the adjoining Church, so that she could take part in the Services there; another communicating with one of those rooms under the keeping of her "maidens," in which occasionally a guest might be entertained; and a third—the "parlour" window—opening to the outside, to which all might come that desired to speak with her. According to the Ancren Riwle the covering-screen for this audience-window was a curtain of double cloth, black with a cross of white through which the sunshine would penetrate—sign of the Dayspring from on high. This screen could of course be drawn back when the recluse 'held a parliament' with any that came to her.[1]
- ↑ "So he kneeled at her window and anon the recluse opened it, and asked Sir Percival what he would. 'Madam,' said he, 'I am a knight of King Arthur's Court and my name is Sir Percival de Galis.' So when the recluse heard his name, she had passing great joy of him, for greatly she loved him before all other knights of the world; and so of right she ought to do, for she was his aunt." —Malory's Morte d' Arthur, xiv. i.
