| [Sale al terrazzo con una lanterna, che tosto entra in casa.
|
| Entrano Marullo, Ceprano, e Borsa, Cortigiami, armati e mascherati, dalla via.
|
| Bor.
|
È là. [Indicanda Gilda.
|
| Cep.
|
È là. Miratela—
|
| Coro.
|
È là. Miratela—Oh! quanto è bella!
|
| Mar.
|
Par fata od angiol!
|
| Coro.
|
Par fata od angiol! L'amante è quella
Di Rigoletto?
|
| Entra Rigoletto, concentrato.
|
| Rig.
|
Di Rigoletto? (Riedo! perche?)
|
| Bor.
|
Silenzio, all' opra, badate a me.
|
| Rig.
|
(Ah da quel vecchio fui maledetto!)
Chi è là?
|
| Bor.
|
[Ai Compagni.] Tacete, c'è Rigoletto.
|
| Cep.
|
Vittoria doppia!—L'uccideremo.
|
| Bor.
|
No: chè domani piu rideremo.
|
| Mar.
|
Or tutto aggiusto.
|
| Rig.
|
Or tutto aggiusto. (Chi parla quà?)
|
| Mar.
|
Ehi, Rigoletto?—di'?
|
| Rig.
|
[Con voce terribile.] Chi va là?
|
| Mar.
|
Eh, non mangiarci—son—
|
|
|
[She ascends the terrace, with a lantern in her hand.
|
| Enter Marullo, Ceprano, and Borsa, accompanied by Courtiers, in Masks, and armed.
|
| Bor.
|
Look there! [Pointing towards Gilda.
|
| Cep.
|
Look there! Ah! there she is—
|
| Coro.
|
Look there! Ah! there she is—Oh! how beautiful she is!
|
| Mar.
|
A fairy or an angel!
|
| Coro.
|
A fairy or an angel! Can that the mistress be
Of Rigoletto? [They all laugh.
|
| Enter Rigoletto, absorbed in thought.
|
| Rig.
|
Of Rigoletto? (Laughing! what can it mean?)
|
| Bor.
|
Silence, to our work—we've no time for laughing.
|
| Rig.
|
(Ah! how fiercely that old man curs'd me!)
Who is there?
|
| Bor.
|
[To his Companions.] Be silent, 'tis Rigoletto.
|
| Cep.
|
A double capture!—We can also slay him.
|
| Bor.
|
No: to-morrow it will make more sport.
|
| Mar.
|
But now everything is ready.
|
| Rig.
|
But now everything is ready. (Who is speaking there?)
|
| Mar.
|
Is't you, Rigoletto—say.
|
| Rig.
|
[Considerably agitated.] Who goes there?
|
| Mar.
|
You will not betray us—I am—
|
|
![\header {
tagline = "" % no footer
}
\score { { <<
{ \new Staff <<
\new Voice = "voice" { \relative c'' {
\language "english"
\time 4/4
\key e \major
\set Score.tempoHideNote = ##t \tempo 4 = 80
\set Staff.midiInstrument = #"lead 6 (voice)"
\partial 8*3 r8 e8. (ds16) |
cs8 r b r a r gs r |
fs2. ds'8. \noBeam (cs16) |
b8 r a r gs r fs r |
e2. gs'8. \noBeam (fs16) |
e8 r ds r cs r b r |
fs2. ds'8. \noBeam (cs16) |
b8 r a r gs r fs r |
e2. gs8. \noBeam (as16) |
b8 r cs4 b8 r cs4 |
b2. gs8. \noBeam (as16) |
b8 r cs8. \trill bs32 cs ds8 r e8. \trill ds32 e32 |
fs2. gs8. \< \noBeam (fs16) |
fs8 \! \> \noBeam (e4) \noBeam ds8 \grace{e16} ds8 \trill \! (cs16) r \grace{ds16} cs8 \trill b16 r |
fs2. ds'8. \noBeam (cs16) |
cs8 \noBeam (b4) a8 \grace{b16} a8 \turn (gs16) r \grace{a16} gs8 \turn (fs16) r |
e2 r |
r2. fs16 [(as)] \noBeam cs (e) |
ds8-. \noBeam ds-. ds-. \noBeam ds-. b2 |
r8 fs16 \noBeam fs \noBeam fs \noBeam fs \noBeam fs \noBeam fs fs'2 ~ |
fs4 ~ fs8 [e ds cs] \grace{b4 bs cs} gs'8.-> \noBeam (fs16) |
fs [(ds)] ds [(e)] e [(b)] b [(cs)] |
cs8.-> (b16) \times 2/3 {b8 ([a] gs)} |
fs4 a'4. (gs8) \noBeam fs (e) |
e16 [ds as' b] c [a fs ds] c [b] as [(b)] gs [(a)] fs [(b)] |
\partial 2*4 e,2
\bar "||"
} }
>> }
\new Lyrics \lyricsto "voice" { <<
{ \markup{\italic{Caro}} \markup{\italic{no}} -- \markup{\italic{me}} \markup{\italic{che il}} \markup{\italic{mio}} \markup{\italic{cor}}
\markup{\italic{Festi}} \markup{\italic{pri}} -- \markup{\italic{mo}} \markup{\italic{pal}} -- \markup{\italic{pi}} -- \markup{\italic{tar,}}
\markup{\italic{Le de}} -- \markup{\italic{li}} -- \markup{\italic{zie}} \markup{\italic{dell'}} \markup{\italic{a}} -- \markup{\italic{mor}}
\markup{\italic{Mi dèi}} \markup{\italic{sem}} -- \markup{\italic{pre}} \markup{\italic{ram}} -- \markup{\italic{men}} -- \markup{\italic{tar!}}
\markup{\italic{Con pen}} -- \markup{\italic{sier}} \markup{\italic{il}} \markup{\italic{mio}} \markup{\italic{de}} -- \markup{\italic{sir}}
\markup{\italic{A te}} \markup{\italic{sem}} -- \markup{\italic{pre}} _ _ \markup{\italic{vo}} -- \markup{\italic{le}} _ _ -- \markup{\italic{rà,}}
\markup{\italic{E fin}} \markup{\italic{l' ul}} -- \markup{\italic{ti}} -- \markup{\italic{mo}} \markup{\italic{so}} _ -- \markup{\italic{spir,}}
\markup{\italic{Caro}} \markup{\italic{no}} -- \markup{\italic{me,}} \markup{\italic{tuo}} \markup{\italic{sa}} -- \markup{\italic{rà.}}
\markup{\italic{Col}} \markup{\italic{pen}} -- \markup{\italic{sier}} \markup{\italic{il}} \markup{\italic{mio}} \markup{\italic{de}} -- \markup{\italic{sir}}
\markup{\italic{A}} \markup{\italic{te}} \markup{\italic{sem}} -- \markup{\italic{pre}} \markup{\italic{vo}} -- \markup{\italic{le}} -- \markup{\italic{rà,}} _ _ _
\markup{\italic{E fin}} \markup{\italic{l' ul}} -- \markup{\italic{ti}} -- \markup{\italic{mo}} _ \markup{\italic{mio}} \markup{\italic{so}} -- \markup{\italic{spir,}}
\markup{\italic{Ca}} -- \markup{\italic{ro}} \markup{\italic{no}} _ _ _ _ _ _ _ _ _ \markup{\italic{me,}} \markup{\italic{tuo}} \markup{\italic{sa}} -- \markup{\italic{rà.}} }
\new Lyrics {
\set associatedVoice = "voice"
Dear name, with -- in this breast
Thy mem' -- ry will re -- main;
My love, for thee con -- fess'd,
No pow -- er can re -- strain.
Ah! yes, 'tis bliss to own
The joy that _ _ fills my _ _ heart;
'Twill beat for thee _ a -- lone—
Till death 'twill ne'er de -- part!
'Twill _ beat for thee a -- lone—
Ah! till death 'twill ne'er de -- part! _ _ _
'Twill beat, 'twill beat for thee a lone,—
Ah! till death _ _ _ _ _ _ _ _ _ 'twill ne'er de -- part.
}
>> }
>> }
\layout { }
\midi { }
}](http://upload.wikimedia.org/score/p/e/pea7g5wrdsf438dsms2p0rwg96hmo3i/pea7g5wr.png)
