Page:Scottishartrevie01unse.djvu/8

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IV
INDEX
Glasgow, The Ancient See of, A.D. 560-1560 (Illus.) By Archbishop Eyre, 125.
Glass, A Glance at Italian. (Illus.) By Oscar Paterson, 62.
Gospel of Art, The, 25.
Grosvenor Gallery, The. By Mrs. Graham R. Tomson, 278.
Exhibition, The Pastels at the. By Morley Roberts, 78.
HOLE, F., R.A., The late, S3.
IBSEN, Henrik. By James Mavor, 173, 269.
'Illusion. By Ernest Radford, 241.
Is an English School of Music Desirable? By W. A. Barrett, 99.
Italian Art, Modern. By Mrs. Mary Reed, 115.
Glass, A Glance at. By Oscar Paterson, 62.
JADE in Scotland. By Charles G. Leland,
Japanese Art, ' Kakemonos ' ; a Study in. By Mrs. Mary Reed, 213.
Sword-Guards. (Illus.) By J. P. MacGillivray, 129.
Jullien's Berlioz. By Franklin Peterson, 356.
’KAKEMONOS': a Study in Japanese Art. By Mrs. Mary Reed, 213.
*Kelvin Fair, A Ballade of. By Martin Quern, with four illustrations by John Lavery, 181.
*Kiss, The. By John Warrack, 36S.
LEPAGE, Bastien-, and Modern Realism. By George Clausen, 114.
Liszt, Wagner and. By An Old Wagnerian, 194.
Literary Notes, 80, 112, 144.
Literature, Victorian. By William Martin, 46.
Local Musical Examinations. By Libra, 15, 36.
London Exhibitions, Notes on some, 10.
The New Gallery, 35.
The Maris Exhibition, 35.
’MACBETH,' Scenic Aspects of the
Lyceum. (Illus.) By William Archer, 249.
MacCunn, Hamish. By W. T. H., 40.
*Madonna di San Sisto. By Thomas Woolner, R.A., 9.
Mary Queen of Scots, On a Portrait of. (Illus.) By John Lavery, 87.
Matthew Arnold as a Critic. By R. A., 22.
Medea Charming the Dragon, 121.
Memorial Catalogue of F7'ench and Dutch
Loan Collection^ Review of. By Macaulay Stevenson, 65.
Meredith's, George, Reading of Earth. Review. By William Sharp, 263.
Modern Architecture, General Indifference to. (Illus.) By George Washington Browne, 57-
Italian Art. By Mrs. Mary Reed, 115.
Mural Decoration, Some recent efforts in. (Illus.) By Professor Baldwin Brown, 225.
Music, Florid Vocal. By S. W., 138.
in Edinburgh, 1887-8. By Otto Schweizer, 14.
in Glasgow. By G. W. 11., 11.
Music in New York. By Worte, 19, 74.
Is an English School of, desirable? By W. A. Barrett, 99.
Notes on, 106, 202, 236.
Musical Amateur, The. By James Oliphant,
294.
Æsthetics in Presbyterian Worship. By Franklin Peterson, 38, 104.
Education. By T. H. Collinson, 134.
Examinations, Local. By Libra, 15, 36.
Life in Germany — Leipzig, 166, 296.
Notes from Paris, 260.
*My Lady of Dream. By Mortimer Wheeler, 172.
NATIONALITY in Art, A Note on. By
James Paterson, S9.
'New Covenant' Ode, The. By Libra, 17.
Note — Birmingham Exhibition, 216.
Notes, I, 25, 162, 271, 304, 336, 366.
New York, 343.
from Paris Studios, 221.
Literary, 80, 112, 144.
on Architecture, 61.
on Art, General, 67, 97, 132, 162, 190, 231-
on Music, 106, 202, 236.
on Painting, 53.
on some London Exhibitions, 10, 35.
on Sculpture, 55.
on the Exhibition of Decorative Handiwork. By Francis H. Newbery, 222.
Nottebohm's Beethoviana. By Leonora Young, 71, 1.56, 200, 258.
November Boughs. Review. By Edward Carpenter, 334.
OF Love in Art. By A. Roche, 29.
Old and New in Art. By Professor G. Baldwin Blown, 84.
*Old Morality. By Edmund Gosse, 209.
Oliphant, Laurence. By Edward Carpenter, 265.
O'Meara, The late Frank, 156.
*On a Picture by David Scott. By Gleesou White, 177.
On a Portrait of Mary Queen of Scots. (Illus.) By John Lavery, 87.
On the Art of Accompanying Songs. By Carl Reinecke, 68.
On the Exhibiting of Architectural Drawings. By John Honeyman, 33.
PAINTER Etchers' Exhibition, 312.
Painting, Notes on, 53.
Paris Causerie. By Cecil Nicholson, 256, 313, 342-
Musical Notes from, 260, 342.
Studios, Notes from, 221.
The Art Student in. By James Paterson, 118.
Pastels at the Grosvenor Exhibition. By Morley Roberts, 178.
Plates, Our, 194, 232, 317.
Poe's Tales and the Art of Fiction. By Ernest Rhys, 260.
*Poems — A Broken Ring, Far from Thy Side, Illusion, Probation. By Ernest Radford, 241.
Poetry in a Music Drama, The Place of. By James Oliphant, 197.
Portion of Altar-piece — 'St. George and Donor.' (With Plate.) By James Paton, 242.
Portrait-Painting. By Alice Coikran, 1S2.
Presbyterian Worship, Musical Æsthetics in By Franklin Peterson, 38, 104.
*Probation. By Ernest Radford, 241.
Progressiveness in Art. By Principal Caird, I, 42.
Prospects of Art under Socialism. By Walter Crane, 81.
Psychology of Acting, The. By John M. Robertson, 299.
RAJON, Paul Adolphe. By Robert Walker, 65.
Ramsay, Allan. By Professor Nichol, 20.
Random Impressions from an Author's Note-
book — Italy. By William Sharp, 237.
Rembrandts at Burlington House. By J.
Forbes White, LL.D., 33S.
Reviews —
A Book of Verses. By W. E. Henley, 48.
Pictures at Play. By two Art Critics, 48.
Glasgow Architectural Association Sketch-Book, vol. iii., 94.
Memorial Catalogue of French and Dutch Loan Collection. By Macaulay Stevenson, 65.
Philosophical Classics for English Readers — Francis Bacon : His Life and Philosophy. Part I. Bacon^s Life. By John Nichol. 111.
Reviews and Notes, 175, 208, 240.
Roman Models. By Arnaldo Ferraguti, 217.
Rome and the Middle Ages. By S. H. Capper 12S, 345.
Romney, George. By Robert Walker, 49.
Rossetti's, Dante Gabriel, 'Silence.' By Professor Patrick Geddes, 155.
Royal Scottish Academy Exhibition, The. By Professor Patrick Geddes, 306.
Society of Painters in Water Colours, 153.
Society of British Artists, The. By W. S., 215.
SOAMOTHRACE, The Nike of. (Illus.) By Mrs. Maiy Reed, 157.
Scandinavian Composers. (Illus.), 329.
Scenic Aspects of the Lyceum Macbeth. (Illus. ) By William Archer, 249.
Scotland, Art in West of. (Illus.), 146.
Scottish Academy, The Royal, Exhibition, 1889. (Illus.) By Professor Patrick Geddes. 306.
Homers, The Last of the. By William Alexander, LL.D. (Illus.), 359.
Society of Painters in Water Colours, The Royal, 153.
Sculpture at the Glasgow International Exhibition. By Doryphorous, 6, 30, 54, 90, 121.
Demonstrations by M. Lanteri at Glasgow. By Francis H. Newbery. (Illus.), 34°-
Notes on, 55.
Sellars, The late James, and his Work. (Illus.) By John Keppie, 191.
Sevigne, Madame de, aux Rochers. By Mrs.
William Sidgwick. (Illus.), 363.
Sketches of Pictures in the Exhibition of the
Royal Scottish Academy, 276, 306.
Socialism, The Prospects of Art under. By
Walter Crane, 81.
Some Recent Efforts in Mural Decoration. By Professor Baldwin Brown, 225.
*Song. By William Sharp. 305.
Songs, On the Art of Accompanying. By Carl Reinecke, 68.
*Sonnet for a Picture. By Havelock Ellis, 273.
*Sonnets — Chaucer, Christmas Eve and Easter Day. By J. Pringle Nichol, 24.
On a Picture by David Scott. By Gleeson White, 177.
Renascence. By Walter Crane, 49.
The Beautiful. By Sir Noel Paton, 113.
The Year's End. By Colin Percival, 177-