self whether the rise and defense of realism among us mean that literature is to follow in the same track, and die, as sculpture and painting died, until a new age shall set the wheel turning again; for if the history of the arts teaches anything, it is that the ages of idealism are the ages of power, and those of realism the premonition and stiffening of death.
III. MR. PATER ON IDEAL ÆSTHETICISM.
The heart of Mr. Pater's Marius lies in his thought about the ideal, and it is in the nature of all such thought to make a peculiar demand upon the reader. Its wisdom is felt to be, as it were, sacerdotal, and requires a conscious preparation of mind in him who would know of it; its vision is supernal, and disclosed only when some spiritual illumination has been sent before. So runs a Platonic doctrine of election and grace that has been held as rigorously in literature as in theology. This aristocracy of idealism—its exclusiveness, its jealousy of any intrusion of the common and worldly within the company it keeps, its sense of a preciousness, as of sacred things, within itself—is incorporate in every fibre of Mr.
