English blood, the Puritan strain as it was in Spenser. His instinctive seriousness, his scrupulosity of conscience, his inheritance of a certain sombreness from the stock that adorned the Etruscan funeral urns, his attachment to places and awe of some of them as sacred by the touch of a divine power, his sense of invisible enemies about his path, his rigorous self-discipline in preparation for certain hereditary sacred offices, a deadly earnestness at times,—as when he gazes so fixedly on the rigid corpse of his friend Flavian,—such are some of the traits that define his nature as essentially rather Northern than Southern, and provide a ground of special sympathy and understanding for us.
The second device by which Marius is modernized is by giving to him a power which, for one who runs as he reads, makes the character incredible. He is said to be affected sometimes in a way the opposite of the experience which many have who, on seeing a new place, seem to have been there before: Marius feels, in the most marked of his experiences, something that shall be,—he has always a prescience. Thus, in the cadence of Flavian's verses he hears the music of the Latin hymnology; in the sight
