rate. This lack of unity did not result simply from his choice of the classical mode of treatment, or from a defect in logical or constructive power, although it was connected with these. The ability to fuse experience, to combine its elements and make them one, to give it back to the world, transformed, and yet essentially true, the real creative faculty, is proportioned very strictly to the self-assertive power of genius, to the energy of the reaction of the mind on nature and life; it springs from a strong personality. To say that Landor's personality was weak would be to stultify one's self; but yet the difference between Landor the man and Landor the author is so great as to make the two almost antithetical; and in his imaginative work, by which he must be judged, it is not too much to say that he denied and forswore his personality, and obliterated himself so far as was possible. He not only eliminated self from his style, and, after the classical manner, defined by Arnold, "relied solely on the weight and force of that which, with entire fidelity, he uttered," but he also eliminated self, so far as one can, from his subject. He did not bind his work together by the laws of his own mind; he did not
