he could be given almost completely in a foreign language. This consideration may go far to explain the relative estimate of him by foreign writers in comparison with other English poets; for these others who have the charm that cannot be transfused, the art that will obey no master but its own Prospero, are seen, as one may say, without their singing robes; and their poetry, made prose, loses half its excellence. This, together with the German element in one portion of his work and the strong Italian influence in a larger portion, especially in Don Juan, must be taken into account in any attempt to understand why he was the best known English poet on the Continent, and perhaps, with the exception of Shakespeare, still is.
In England, Byron's reputation met with rapid decline from natural causes. It is not likely that his misconduct in morals was much against him, and Beaconsfield was wholly on the wrong track when he reminded the Byron meeting that, after half a century, a man's private life scarcely enters into the estimate of his literary genius. It seems rather Byron's lack of orthodoxy that England most resented. Society put up with much libertinism in those days in high quar-
