had a big bump at the back and narrow temples, and he had a long face. While still quite young he had come through a serious illness, which, in the opinion of Surgeon-General Eschrich, was the reason for his heart having "shifted over to the right." However that might be, he had seen Death face to face, a fact which had probably intensified the shy dignity which was natural to him. He seemed to be extremely stand-offish, cold from embarrass ment, and proud from lack of graciousness. He lisped a little and then blushed at doing so, because he was always criticizing himself. His shoulder-blades were a little uneven. One of his eyes had some weakness or other, so that he used glasses for writing his exercises, which helped to make him look old and wise.… Albrecht's tutor, Doctor Veit, a man with hanging mud-coloured moustaches, hollow cheeks, and wan eyes unnaturally far apart, was always at his left hand. Doctor Veit was always dressed in black, and carried a book dangling down his thigh, with his index-finger thrust between its leaves.
Klaus Heinrich felt that Albrecht did not care much for him, and he saw that it was not only because of his inferiority in years. He himself was tender-hearted and prone to tears, that was his nature. He cried, when any body "looked sadly" at him, and when he knocked his forehead against a corner of the nursery table, so that it bled, he howled from sympathy with his forehead. But Albrecht had faced Death, yet never cried on any condition. He stuck his short, rounded underlip a little forward, and sucked it lightly against the upper one—that was all. He was most superior. The Swiss governess referred in so many words to him in matters of comme il faut as a model. He had never allowed himself to converse with the gorgeous creatures who belonged to the court, not exactly men and human beings, but lackeys—as Klaus Heinrich had sometimes done in unguarded moments.
