offered to subscribers in six quarto volumes, for six guineas. The subscription soon rose to an amount that, while it gratified, at the same time alarmed him, when he thought of the extent of his undertaking; which, he says, disturbed him in his dreams at night, and made him wish that somebody would hang him. It was also given out, by some of his enemies, that he was deficient in Greek; and Addison, who does certainly, in this instance, seem to have been jealous of the fame of Pope, hinted to the Whigs, with a view to impede the subscription, that he was too much of a Tory; whilst this suspected him to be of the other party, in consequence of his contributions to Steele's Guardian. His genius, however, carried him above all difficulties; and at the rate of about fifty lines per day, he soon completed the whole of the volumes, though his repeated alterations delayed the appearance of the sixth until 1720. The clear profit which he gained by this work amounted to £5,324 4s.; a sum that relieved him from his present pecuniary difficulties, and enabled him to secure himself against future ones, by the purchase of considerable annuities.
The Iliad, which is described by the author's biographer already mentioned, as not only one of the noblest versions of English poetry ever seen by the world, but, as one of the greatest events in the annals of learning, was a source of much annoyance to Pope, both during its progress and after its completion. Whilst it failed to gain him a patron, it also lost him a friend; the coldness of Addison he returned with indignation, and the overtures of Lord Halifax with indifference and contempt. He had taken umbrage at the conduct of the former, in endeavoring to create a rivalry between his translation of Homer and Tickall's; the appearance of which, at the same time with his own, he had good reasons for attributing to the instrumentality of Addison. A reconciliation between them was afterwards attempted to be brought about, by Steele; but the interview only increased their mutual dislike, which continued to the end of their lives. Another reason assigned for Pope's quarrel with Addison, is, that he had given one Gildon ten guineas to abuse the former in a letter, which was published respecting Wycherley. 'On hearing of which,' says Pope, 'I wrote a letter to Mr. Addison, to let him know that I was not unacquainted with this behavior of his; that if I were to speak severely of him in return for it, it should not be in such a dirty way; that I should rather tell him myself fairly of his faults, and allow his good qualities; and that it should be something in the following manner. I then adjoined the first sketch of what has since been called my satire on Addison,—the character of Atticus.' Our author's contempt for Lord Halifax arose from that nobleman's delay in the bestowal of his patronage, until he had secured some compliment, in the way of dedication or otherwise, which the poet was not over anxious to render. 'They, probably,' says Johnson, 'were suspicious of each other: Pope would not dedicate till he saw at what rate his praise was valued; Halifax thought himself entitled to confidence, and would give nothing unless he knew what he should receive.'
Pope had removed to his celebrated villa, at Twickenham, in the year 1715, when the first volume of his Iliad was published, from which time he generally continued to reside there. In 1717, he collected his former works into one quarto volume; and in 1720, partaking of the national infatuation, he lost a slight sum of money in the South Sea stock. In 1721, he was induced, by a reward of £217 12s., to give his name and labors
