to an edition of Shakspeare, in which his various errors were detected and exposed with all the insolence of victory, by Theobald, in a book called, Shakspeare Restored. From this time, says Johnson, Pope became an enemy to editors, collators, and verbal critics; and hoped to persuade the world that he miscarried in this undertaking only by having a mind too great for such minute employments. The same authority tells us that, in 1723, he appeared as a witness on the trial of Bishop Atterbury, and that, in the few words he had to utter, he made several blunders. In 1725, appeared his translation of the Odyssey, in which he was assisted by Broome and Fenton; the former of whom he is said to have treated with great illiberality. About the year 1726, he had the misfortune to be overturned in the water whilst passing a bridge in a friend's coach, by which he narrowly escaped drowning, and lost the use of two of his fingers from the breaking of the windows. Upon this occasion he received a letter of consolation from Voltaire, whom he had previously entertained at this table, where he is said to have talked with so much grossness, that Pope was driven from the room.
In 1727, he joined with Swift in the publication of three volumes of Miscellanies, wherein was inserted his Art of Sinking in Poetry; and in the following year appeared his Dunciad, a general attack against all the inferior authors of his time, whom he distinguished by the appellation of The Dunces. 'On the day the book was first vended,' says Pope, 'a crowd of authors besieged the shop; entreaties, advices, threats of law and battery, nay, cries of treason, were all employed to hinder the coming out of the Dunciad.' The poem excited a great sensation in all quarters, and was presented to the king and queen by Sir Robert Walpole. It is said to have blasted the literary reputation of all those whom it touched, and to have driven many of them to such an extent of hatred against the author, that they held weekly clubs to consider how they might injure him, and brought his image in clay for the purpose of executing him in effigy. In 1731, he published a poem on Taste, by which he incurred the odium of all parties, in consequence of ridiculing, under the name of Timon, his former friend and patron, the Duke of Chandos; to whom he wrote an explanatory letter, as full of hypocrisy as his verses were of ingratitude. In 1733, he published anonymously, the first, and in 1735, under his own name, the fourth part of his Essay on Man; the idea of which he acknowledges to have received from Bolingbroke, who is said to have ridiculed Pope as having advanced in it principles of which he did not perceive the consequence, and as blindly propagating opinions contrary to his own. Pope certainly appears to more advantage as a poet than a theologist in this production; which was on its translation into French, attacked with great skill by Professor Crousaz, of Switzerland, who discovered that many of the positions contained inferences against the doctrines of revelation. Warburton, however, defended the essay, in a manner that ever afterwards secured him the gratitude and friendship of Pope, who took the opportunity of acknowledging that he had not explained his own meaning properly, and of disclaiming any intention to propagate the principles of Bolingbroke.
His next poems in succession, were An Epistle to lord Bathurst, the Characters of Men and of Women, several imitations of Horace. Dr. Donne's Satires, and an Epistle to Dr. Arbuthnot. In 1737, he published, by subscription, a quarto volume of his Correspondence; for
