exiles paid the tithe or tax necessary, and became in fact a member of the inner circle.
From nearly every walk in life they came to this common, converging point, and sat them down with their equals, for the moment laying aside the mask to take up a long-discarded and perhaps despised reality. They became lords and ladies all over again, and not for a single instant was there the slightest deviation from dignity or form.
Moral integrity was the only requirement, and that, for obvious reasons, was sometimes overlooked,—as for example in the case of the Countess who eloped with the young artist and lived in complacent shame and happiness with him in a three-room flat in East Nineteenth street. The artist himself was barred from the salon, not because of his ignoble action, but for the sufficient reason that he was of ignoble birth. Outside the charmed conclave he was looked upon as a most engaging chap. And there was also the case of the appallingly amiable baron who had fired four shots at a Russian Grand-Duke and got away with his life in spite of the vaunted secret service. It was of no moment whatsoever that one of his bullets accidentally put an end to the life of a guardsman. That was merely proof of his earnestness and in no way reflected on his standing as a nobleman. Nor was it adequate cause for rejection that certain of these men and women were being sought by Imperial Governments because they were political fugitives, with prices on their heads.
The Marchioness, more prosperous than any of her associates, assumed the greater part of the burden attending this singular reversion to form. It was she
