who held the lease on the building, from cellar to roof, and it was she who paid that important item of expense: the rent. The Marchioness was no other than the celebrated Deborah, whose gowns issuing from the lower floors at prodigious prices, gave her a standing in New York that not even the plutocrats and parvenus could dispute. In private life she may have been a Marchioness, but to all New York she was known as the queen of dressmakers.
If you desired to consult Deborah in person you inquired for Mrs. Sparflight, or if you happened to be a new customer and ignorant, you were set straight by an attendant (with a slight uplifting of the eyebrows) when you asked for Madame "Deborah."
The ownership of the rare pieces of antique furniture, rugs, tapestries and paintings was vested in two members of the circle, one occupying a position in the centre of the ring, the other on the outer rim: Count Antonio Fogazario and Moody, the footman. For be it known that while Moody reverted once a week to a remote order of existence he was for the balance of the time an exceedingly prosperous, astute and highly respected dealer in antiques, with a shop in Madison Avenue and a clientele that considered it the grossest impertinence to dispute the prices he demanded. He always looked forward to these "drawing-rooms," so to speak. It was rather a joy to disregard the aspirates. He dropped enough hs on a single evening to make up for a whole week of deliberate speech.
As for Count Antonio, he was the purveyor of Italian antiques and primitive paintings, "authenticity guaranteed," doing business under the name of "Juneo &
