Simrock VI.
Simrock, pp. 65-68, from Xanten. See Hippe, p. 165.
Simrock VII.
Simrock, pp. 68-75, from Xanten. See Hippe, p. 165.
Simrock VIII.
F. Woeste, Zts. f. deutsche Myth. iii. 46-50, from Grafschaft Mark. Given by Simrock, pp. 75-80. Analyzed by Sepp, p. 685, who inadvertently speaks of it as "nach irischer Sage." See Hippe, p. 165.
Simrock IX.
Simrock, pp. 80-89, contributed by Zingerle, who afterwards printed it in Sagen, Märchen und Gebräuche aus Tirol, 1859, pp. 446-450, and in Kinder- und Hausmärchen aus Tirol, 2nd ed., 1870, pp. 254-260. See Stephens, p. 9, Hippe, pp. 165 f., and Wilhelmi, p. 45.
Simrock X.
Simrock, pp. 89-94, from the foot of the Tomberg. Summarized by Köhler, Or. und Occ. ii. 326. See Hippe, p. 166, and Wilhelmi, p. 45.
Oldenburgian.
L. Strackerjan, Aberglaube und Sagen aus dent Herzogtum Oldenburg, 1867, ii. 308 ff. Cited by Hippe, p. 166, and by Foerster, Richars li Biaus, p. xxviii.
Harz I.
A. Ey, Harzmärchenbuch, 1862, pp. 64-74. Summary by Köhler, Or. und Occ. iii. 96. Cited by Hippe, p. 166.
Harz II.
A. Ey, work cited, pp. 113-118. Summary by Köhler, Or. und Occ. iii. 97. Cited by Hippe, p. 166.
Sir Amadas.
Ed. Weber, Metrical Romances, 1810, iii. 241-275, Robson, Three Early English Metrical Romances, 1842, pp. 27-56, Stephens, Ghost-Thanks, 1860. Stephens seems to have been the first to note the connection of Sir Amadas with The Grateful Dead. The romance, as it is preserved in two manuscripts of the fifteenth
