left visible to the eye. There were a dozen easels in the room, and as many artists transferring the great picture to their canvases. Fifty proofs of steel engravings and lithographs were scattered around, too. And as usual, I could not help noticing how superior the copies were to the original, that is, to my inexperienced eye. Wherever you find a Raphael, a Rubens, a Michael Angelo, a Caracci, or a Da Vinci (and we see them every day,) you find artists copying them, and the copies are always the handsomest. May be the originals were handsome when they were new, but they are not now.
COPYING FROM OLD MASTERS.
This picture is about thirty feet long, and ten or twelve high, I should think, and the figures are at least life size. It is one of the largest paintings in Europe.
The colors are dimmed with age; the countenances are scaled
