story of "Ogier the Dane," coming from him at second hand, is the only one in the whole work which is derived from Celtic sources. The mythology of Ireland (with which Morris was less in sympathy) never appears at all.
This architectural design of a great body of poetry, an immense variety of subject brought by certain dominating conceptions within a single method and common scope, grew up gradually in his mind: but meanwhile the poems themselves were being produced with extraordinary speed. Among the earliest written were three from Greek sources, which had strangely different fortunes, but were alike in this, that none of them finally appeared in "The Earthly Paradise." The subjects were Orpheus and Eurydice, the Quest of the Golden Fleece, and the life of the half mythical Dorian chief, Aristomenes of Messene. These were written in 1866. For the first, which was completed, but still remains unpublished, Burne-Jones made an elaborate series of designs. The "Aristomenes" was never finished. Morris had been attracted to the story by the obviously and indeed startlingly romantic features which it bears as briefly told by Pausanias. Greece proper had had its own period of an early romanticism. For the most part it was crushed out, partly by the literary supremacy of Athens, and partly by the contempt for literature of all kinds which was natural to Greeks of the pure Dorian blood: and this is one of a few instances in which it has survived through, and reappeared after, the classical period. But in spite of this, and of the further pleasure that it gave him to think of the Spartans being outfought and outwitted, the story was too unsubstantial for history, and at the same time too historical to allow free play for invention. He felt that it did not ac-
