commodate itself to vaguely romantic treatment, and that to deal with it properly he should first have to visit Greece. It was dropped at the time; was afterwards taken up again more than once some eight or ten years later, but was finally abandoned. The only part of it which has ever been printed is a fragment of about a hundred and fifty lines which he published, or allowed to be published, in the Athenæum for the 13th of May, 1876.
The fortunes of the Quest of the Golden Fleece were very different. The story, in itself one of the richest and most splendid out of the whole Greek mythology, and capable of almost indefinite expansion in detail, grew on his hands till it became obvious that it had outgrown its destined place. Its length, which is between that of the Æneid and the Odyssey, reached the scale of the regular epic. It was separately published in June, 1867, under the title of "The Life and Death of Jason."
The success of "Jason" was immediate and great. In those years Tennyson reigned almost without a rival; but people had grown weary of his imitators, and his own inspiration no longer, in the opinion of many admirers, kept pace with the elaborate beauty of his execution. It was time for new poetry. The appearance, two years before, of "Atalanta in Calydon" had roused a tempest of excitement and applause. It was felt that a new generation had arisen. This new poem of "The Life and Death of Jason," in which the refinement and charm of mature art were combined with the reawakened sense of romanticism, with extraordinary fertility of movement and incident, end with a largeness, straightforwardness, and sweetnass that were all its own, found an audience ready for it. It had just enough of archaism or mannerism
