On the 27th of May he wrote again:
"The vellum came all safe to hand: many thanks for it. I noticed that the smaller size seemed very good: but had not much time to attend to it much, as I am very busy all sorts of ways. I have got my partnership business settled at last, and am sole lord and master here now, with never a Jorkins to refer unpleasant words to: however 'tis a great blessing, and has set me working hard to make things go. I have somewhat slacked from the Virgil translation, as I found it not possible to get it out this summer and easy enough to get it out by October: also I have begun one of the pictures for the Virgil: I make but a sorry hand of it at first, but shall go on with it till (at the worst) I am wholly discomfited. Whether I succeed or not in the end 'twill be a long job: so I am asking you if you would do some of them and what it would be worth your while to do them for. I shall be publishing the Icelandic stories in a week or two. After all I have no news for you; I am up to the neck in turning out designs for papers, chintzes, and carpets, and trying to get the manufacturers to do them: I think we are doing some good things in that way."
Of the great folio manuscript of the Æneid which was now in progress, nearly six books were completed before it was laid aside from pressure of other work. Burne-Jones had drawn for it a series of his most exquisite designs. A good deal of the illumination was executed by Murray after his return to England. Morris himself never resumed it, though even some fifteen years later I remember seeing him turn over the sheets and hearing him talk of finishing it. Finally he sold it to Mr. Murray, in whose possession it now is. In beauty of handwriting and splendour of orna-
