ment it takes far the first place among all his manuscripts.
The re-issue of the volume of poems of 1858 took place that April. He consented to it with a good deal of reluctance. Crude or unworkmanlike work, in poetry just as much as in any other craft, made him uneasy and even wretched: and he felt the immaturity of the workmanship in that volume more keenly than the severest of his critics. When he consented, at Mr. Ellis's repeated instances, to let the volume be republished, he insisted that it should be reprinted without the least alteration; he would not undertake any fresh responsibility for it by any excisions or amendments. Mr. Forman has noted a curious little fact: that the erratum slip pasted in the original issue had disappeared from the copy from which the new edition was set up, and that consequently the fidelity of the re-issue to the original extends even to the printers' errors which had been actually noted for correction before the book first appeared.
The volume of translations from the Icelandic appeared, under the title of "Three Northern Love Stories," a month or so later. Its contents were those of which he had given the list already quoted when he began to think of preparing them for publication eighteen months before; and it did not involve any further labour now. But at the beginning of November a new book appeared, which represented long-continued work of a high order, and challenged a wider and more informed criticism, his verse translation of the Æneid.
In departing from the sphere in which he was thoroughly at home and had recognized authority, to undertake a work which would be reckoned as one of scholarship in the narrower sense of that term, Morris
