a compositor and pressman, Mr. William Bowden, had been engaged. The paper was made from linen rag by Messrs. Batchelor & Son of Little Chart, near Ashford, after an Italian pattern of the fifteenth century, which Morris supplied. Such care was taken in its manufacture, that the wire moulds were woven by hand to reproduce the slight irregularity in the texture of those used by the earliest printers. Morris went down to Little Chart himself with Mr. E. Walker to see about this paper. With unabated interest in any form of manual art, he must take off his coat and try to make a sheet of paper with his own hands. At the second attempt he succeeded in doing very creditably what it is supposed takes a man several months to master.
In the course of the year Morris had made one more experiment in the use of type other than his own. This was a small edition of his own translation of the Gunnlaug Saga, which he had printed at the Chiswick Press in a Gothic type copied from a fount used by Caxton. The initials in this little book were left blank in order to be rubricated by hand; and Morris put them in himself on two or three copies: but the whole project went no further, and the little book was never published.
On the last day of the year he writes to Ellis:
"I am very glad that you are getting on so well and like the work. As for me I expect to have my type in a month, and shall take a room and see about comps. at once. The paper also will not be later, though this matters less as to our date of beginning. One thing may disappoint you—to wit, that we cannot make a double-column page of it, the page will not be wide enough. For my part, I don't regret it: double column seems to me chiefly fit for black letter, which prints up so close.
