Jenson did not print even his Pliny in double column. But it is a case of a fortiori in modern printing: because we have no contractions, few tied letters, and we cannot break a word with the same frankness as they could: I mean we can't put whi on one side and ch on the other. This makes the spacing difficult, and a wide page desirable.
"Would you kindly give me the Initial letters of the first few sheets of our copy; I mean state whether they are A's B's and what not; I want this for our 'blooming-letters,' so that I may get ready those which are most wanted."
With the beginning of 1891 the Kelmscott Press actually started working. Its first premises, a cottage on the Upper Mall of Hammersmith a few yards from Kelmscott House, were taken possession of on the 12th of January. A proof-press and a printing-press were got and set up there. The first sample of the paper arrived on the 27th, and the first full trial page was set up and printed on the 31st. During February a sufficient working stock of both type and paper was delivered, and the regular working of the Press began. Mr. Bowden's son, who continued to work at the Press until it was closed, was engaged as compositor, and a third workman as pressman.
Meanwhile his research after fine specimens of fifteenth-century printing went on with unabated zeal. The following letter to J.H. Middleton refers to some of his most recent purchases, made from a dealer named Olschki, whose prices Morris thought rather exorbitant. Middleton was also in dealings with Mr. Olschki on behalf of the Fitzwilliam Museum at Cambridge, of which he was then Director.
