11. -ty-eṣa maunī Bhuyāl = lokoऽ mita-śrīḥ para-kṛta-sukṛtaiḥ pālane rakṣaṇe ca tat = karttavyaṁ bhavadbhiḥ sthiravamala-guṇah syānnivāya-yathāyaṁ॥ Sad = vṛtt- = āmala-vṛ-
12. -ttibhiḥ sphuṭataraṁ jātādaraiḥ sarvvataḥ sarvvān = etā[n] bhāvina[ḥ] pārthivendrā bhūyo bhūyo jācaty = eṣa maunī sāmāny = oyaṁ dharmma-śetur = nārāṇ[āṁ] kāle kāle pā-
13. -laneyo bhavadbhiḥ[॥] Vyāṅgānārya-vahis = tapodhana-janaiḥ sthātavyam = atr = āśrame। Ity = etat = vratadhāribhir = niyamitaṁ bhuyād = yathā-nānyathā। Karttavyaṁ tad = ih = āmalaṁ pri-
14. -yatamair = viprair = Gayāvāsibhiḥ॥ Sphuratu kīrttir = iyaṁ guṇa-śālinī sakala-satva-hit-odaya-hetave tapati yāvad = ayaṁ bhuvi bhāskaro himaka-
15. -reṇa sah = āmala-dīdhitiḥ॥ Śrī-Nārāyaṇapāladeva iti prāpt-odayo bhūpatiḥ bhūto bhūmi bhūjā[ṁ] śirobhir-amala yasy-ocita[ṁ] śāsanaṁ rājñas = ta-
16. -sya guṇ-āmalasya mahataḥ samvatsare saptame Vaiśākhyāṁ śubha-sambhṛtena vidhinā labdha pratiṣṭhīta-maṭha.
The language of the inscription is very incorrect Sanskrit, like that of the Buddhist Sanskrit manuscripts of Nepal, and the record itself has been very carelessly incised. The purpose of the inscription is to record the erection of a monastery for Brāhmaṅical ascetics by a man named Bhāṇḍadeva in the seventh year of the king Nārāyaṇapāladeva, in the month of Vaiśākha. It opens with an invocation to Viṣṇu, in his Man-lion (Narasiṁha) incarnation and curiously enough it is at present outside the small temple of Narasiṁha, in the courtyard of the Viṣṇupāda temple, which, as we shall see later on, was certainly built during the reign of Nayapāladeva. It may mean however that the small temple of Narasiṁha was built by Bhāṇḍadeva near the monastery and was rebuilt during the time of Nayapāladeva. The genealogy of the builder is given as follows:—
| VĀMADEVA, married Vallabhadevī, | |||||||||||||||||||
| SIHADEVA, | |||||||||||||||||||
| VAPPADEVA, | |||||||||||||||||||
| BHĀṆḌADEVA. | |||||||||||||||||||
Another small inscription of Nārāyaṇapāla was found by Pandit Vinoda Vihari Vidyavinoda of the Indian Museum, Calcutta, in the Inscription gallery of that Museum. He has published it in the journal of the Vaṅgīya Sāhitya Parishad.[1] It is incised on a long piece of carved stone, probably the portion of a pedestal. Most probably it came with the other sculptures from the Bihar Museum founded by Mr. Broadley, when that collection was shifted to Calcutta, according to the direc-
- ↑ Vangiya Sahitya-parishad-Patiika, Vol. XV, p. 13.
