by foresters, perhaps by order of the rival Vidarbha prince; she escapes again, however, and reaches Vidiçā, where she finds refuge in the home of the queen Dhāriṇī, who has her trained in the art of dancing. The king happens to see a picture in which she is depicted, and falls in love with her. To arrange an interview is not easy, but Gautama, his Vidūṣaka, provokes a quarrel between two masters of the dance, who have recourse to the king to decide the issue of superiority. He in turn refers the matter to the nun Kauçikī, who is in reality a partisan of Mālavikā, who had been in her charge and that of her brother, who was killed when the escort was dispersed. She bids the masters produce each his best pupil; Gaṇadāsa brings out Mālavikā, whose singing and dancing delight all, while her beauty ravishes the king more than ever. She is victorious. In Act III the scene changes to the park, whither comes Mālavikā at the bidding of Dhāriṇī to make the Açoka blossom, according to the ancient belief, by the touch of her foot. The king hidden with the Vidūṣaka behind a thicket watches her, but so also does Irāvatī, the younger of Agnimitra's queens, who is suspicious and jealous of any rival in the king's love. The king overhears Mālavikā's conversation with her friend, and realizes that his love is shared; he comes forth and embraces her, but Irāvatī springs out of her hiding-place and insults the king. Dhāriṇī has Mālavikā confined to prevent any further development of the intrigue. The Vidūṣaka, however, proves equal to the occasion with the aid of Kauçikī; he declares himself bitten by a snake; the only remedy proves to require the use of a stone in the queen's ring, which is accorded for that purpose, but employed for the more useful end of securing the release of Mālavikā, and the meeting of the lovers, which Irāvatī, who has excellent grounds for her vigilance, again disturbs. The king's embarrassment is fortunately mitigated by the necessity of his going to the rescue of the little princess Vasulakṣmī, whom a monkey has frightened. Act V cuts the knot by the advent of two unexpected pieces of news; envoys come bearing the report of victory over the prince of Vidarbha and conveying captives; two young girls introduced before the queen as singers recognize both Kauçikī and their princess Mālavikā among the queen's attendants, and Kauçikī explains her silence on the
