by a human sacrifice which a vassal of the king wishes to offer; Mitrāṇanda is sent by the minister with a letter intended to secure his being the victim, but luckily is recognized by Maitreya, his companion, who had won the vassal's favour by curing him by a magic herb. Kaumudī in the meantime is expelled from the minister's house by his jealous wife, and wanders until she meets Sumitrā, daughter of a merchant, and her family; all are captured by a prince of the aborigines Vajravarman, to whom also is brought one Makaranda, who turns out to be a friend of Mitrāṇanda. A letter from Lakṣmīpati arrives to ask for the welfare of Mitrāṇanda and Kaumudī, and the latter takes advantage of it to induce Vajravarman to celebrate the marriage of Makaranda and Sumitrā. The three then have an adventure at Ekacakrā with a Kāpālika, who induces the women to go into a subterranean cave, while he asks Mitrāṇanda's aid against a Vidyādhara, described as eager after women. He breathes life into a corpse which takes a sword in its hand, but Mitrāṇanda by a magic formula induces it to strike the Kāpālika, who disappears. In Act IX Makaranda has to establish before Lakṣmīpati his claim to his own caravan, which a certain Naradatta claims; the dispute is settled by the appearance of Vajravarman and Mitrāṇanda, while Act X disposes of the piece by uniting husband and wife in the abode of the Siddha king. The work is, of course, wholly without interest other than that presented by so many marvels appealing to the sentiment of wonder in the audience. The author refers to Murāri in such a way as to suggest to Dr. Hultzsch[1] his contemporaneity with him, but this in no wise rendered necessary by the wording of the passage cited, and, secondly, would very badly agree with the fact that Man̄kha knew and cites Murāri about A.D. 1135, for it takes some time for an author to reach the stage of being treated as an authority.
Another Jaina composition is the Prabuddharauhiṇeya[2] of one Rāmabhadra Muni, pupil of Jayaprabha Sūri, of the school of Deva Sūri, the famous writer on Nyāya, who died in A.D. 1169. It was written for performance in a temple of Yugādideva, that is the Tīrthakara Ṛṣabha, on the occasion of a procession
