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Theory of the Dramatic Art
mention in a passage of the Çā1astra of Yavanas, while the description of the Viṭa suggests derivation from the Greek parasite. But it is impossible to take these pieces of evidence as conclusive proof of borrowing; we are, in fact, faced with the usual difficulty that, if there were borrowing, the Indian genius has known how to recast so cleverly and to adapt what it borrowed so effectively that the traces which would definitely establish indebtedness cannot be found. In all the instances enumerated there is no doubt similarity, but there is also essential difference such as renders independent development of the Indian doctrine at least as probable as borrowing.
