profits were reduced to what his bookseller could afford for a tragedy in distress.
Mr. Thomson's next dramatic performance was the Masque of Alfred; written, jointly with Mr. Mallet, by command of the Prince of Wales, for the entertainment of his Royal Highness's court, at his summer-residence. This piece, with some alterations, and the music new, has been since brought upon the stage by Mr. Mallet: but the edition we give is from the original, as it was acted at Clifden, in the year 1740, on the birth-day of her Royal Highness the Princess Augusta.
In the year 1745, his Tancred and Sigismunda, taken from the novel in Gil Blas, was performed with applause; and from the deep romantic distress of the lovers, continues to draw crowded houses. The success of this piece was indeed ensured from the first by Mr. Garrick and Mrs. Cibber, there appearing in the principal characters; which they heighten and adorn with all the magic of their never-failing art.
He had, in the mean time, been finishing his Castle of Indolence, in two Canto's. It was, at first, little more than a few detached stanzas, in the way of raillery on himself, and on some of his friends, who would reproach him with indolence; while he thought them, at least, as indolent as himself. But he saw very soon, that the subject deserved to be treated more seriously, and in a form fitted to convey one of the most important moral lessons.
The stanza which he uses in this work is that of Spenser, borrowed from the Italian poets; in which he thought
