Page:The Works of the Rev. Jonathan Swift, Volume 2.djvu/209

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A TALE OF A TUB.
157

whereof they fix one in each of their temples, first beating out the top; into this barrel, upon solemn days, the priest enters; where, having before duly prepared himself by the methods already described, a secret funnel is also conveyed from his posteriors to the bottom of the barrel, which admits new supplies of inspiration, from a northern chink or cranny. Whereupon, you behold him swell immediately to the shape and size of his vessel. In this posture he disembogues whole tempests upon his auditory, as the spirit from beneath gives him utterance; which, issuing ex adytis et penetralibus, is not performed without much pain and gripings. And, the wind, in breaking forth, deals with his face[1] as it does with that of the sea, first blackening, then wrinkling, and at last, bursting it into a foam. It is in this guise, the sacred Æolist delivers his oracular belches to his panting disciples; of whom, some are greedily gaping after the sanctified breath; others are all the while hymning out the praises of the winds; and, gently wafted to and fro by their own humming, do thus represent the soft breezes of their deities appeased.

It is from this custom of the priests, that some authors maintain these Æolists to have been very ancient in the world. Because the delivery of their mysteries, which I have just now mentioned, appears exactly the same with that of other ancient oracles, whose inspirations were owing to certain subterraneous effluviums of wind, delivered with the same pain to the priest, and much about the same influence on the people. It is true indeed, that

  1. This is an exact description of the changes made in the face by enthusiastick preachers.
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