THE REVISED ORATORIO.
of this; therefore I beg you will let me know your answer as soon as you can."
Mendelssohn wrote to Moscheles for his advice on the subject of the "terms" for the English copyright of "Elijah." Here is Moscheles's reply:—
"I quite feel the responsibility of advising you in the matter; for if fifty years hence it is said, 'Mendelssohn received only so many pounds sterling for this grandest of works, this inexhaustible mine of wealth to the editor [publisher], and that at the suggestion of Moscheles, my ashes will be disturbed in their rest. Well, well, you will nod your venerable head, and say, 'Never mind; Moscheles meant well.'
"You do not say what other offers you had, besides that from Buxton. I think you will find him straightforward in his dealings, and ready to recognise that the market value of your productions is constantly more than you did for the 'Hymn of Praise.' [Moscheles had probably forgotten the amount, £25, that Mendelssohn received for the English copyright of his 'Hymn of Praise.'] One point to take into consideration is whether this work is richer than the other in solos, these being a better source of income to the publisher than choruses."[1]
Mendelssohn received 250 guineas for the English copyright of "Elijah." Shortly after the composer's
- ↑ "Letters of Mendelssohn to Moscheles," by Felix Moscheles, p. 272.
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