historical inquiry and argument concerning the date and local habitation of those Traditions; reserving what little is to be said on that matter till the Traditions themselves have become better known to us. Let the reader, on trust for the present, transport himself into the twelfth or thirteenth century; and therefrom looking back into the sixth or fifth, see what presents itself.
Of the “Heldenbuch,” tried on its own merits, and except as
illustrating that other far worthier Poem, or at most as an old
national, and still in some measure popular book, we should have
felt strongly inclined to say, as the Curate in “Don Quixote” so
often did, Al corral con ello, Out of the window with it!
Doubtless there are touches of beauty in the work, and even a sort of
heartiness and antique quaintness in its wildest follies; but on
the whole that George-and-Dragon species of composition has
long ceased to find favour with anyone; and except for its
groundwork, more or less discernible, of old Northern Fiction,
this “Heldenbuch” has little to distinguish it from these.
Nevertheless, what is worth remark, it seems to have been a far higher
favourite than the “Nibelungen” with ancient readers; it was
printed soon after the invention of printing; some think in 1472,
for there is no place or date on the first edition; at all events, in
1491, in 1509, and repeatedly since; whereas the “Nibelungen,”
though written earlier, and in worth immeasurably superior, had
to remain in manuscript three centuries longer. From which,
for the thousandth time, inferences might be drawn as to the
infallibility of popular taste, and its value as a criterion for
poetry. However, it is probably in virtue of this neglect, that
the “Nibelungen” boasts of its actual purity; that it now comes
before us, clear and graceful as it issued from the old Singer's
head and heart; not overloaded with Ass-eared Giants, Fiery
Dragons, Dwarfs and Hairy Women, as the “Heidenbuch” is,
many of which, as charity would hope, may be the produce of a
later age than that famed Swabian Era, to which these poems, as
we now see them, are commonly referred. Indeed, one Casper
