made by her daughter Corinne in "Pinafore," Mrs. Kimball retired from the stage herself and became her manager. She was interested in several theatres. She was a woman of remarkable business ability. She personally superintended all of the work connected with the theatre and the companies in which she was interested; wrote her own advertising matter and superintended the work of the scenic artists, occupying a unique position among women.
SIBYL SANDERSON.
Was born in 1865 in Sacramento. She was the daughter of the late Judge S. W. Sanderson, Chief Justice of the Supreme Court of California. In 1884 she went to Europe to study and at different times renewed her musical studies under several of the great teachers. Massenet predicted a brilliant career for her. She made her debut February 6, 1888, in Amsterdam. She was selected by Massenet to create the role of Esclairmonde and sang that opera one hundred times the first year. In November, 1890, she made her debut in Massenet's "Mignon" in Brussels, appearing in London, England, in 1891. She ranked with the greatest singers, and was always a great favorite with the American public. She died in 1903.
MARY ANDERSON NAVARRO.
Madame Navarro is one of the most accomplished actresses and gifted women America has ever produced. She was born in Sacramento, California, July 28, 1859. Her maiden name was Mary Antoinette Anderson. Her parents were of foreign descent. She soon decided to make the stage her profession, and neither the discouragements of her parents or friends deterred her from her purpose. On witnessing the performance of Edwin Booth as "Richard the Third," she gave a repetition of this in her own home, which so impressed her parents that a private performance was given before her friends, and here she achieved her first success. She was a student at the Ursuline Convent, in Louisville, and was given private lessons in music, dancing and literature with a view of training her for her dramatic career. Charlotte Cushman advised her to study under Vanderhoff, in New York, and ten lessons from this dramatic teacher were her only real training; the rest she accomplished for herself, which makes her the more
