But if his accusers mean magic in the popular sense, that is, Apuleius grants, a different matter.
Even educated men, however, probably more often, like Pliny, regarded the magi as all one with other magicians. Philostratus, in his life of Apollonius of Tyana, seems to approximate much closer to this position than to that taken by Apuleius, although one would expect a biographer of that mystic personage to view the magi with favor. Philostratus declares that Apollonius was no magician, although he did associate with the magi of Babylonia, the Brahmins of India, and the gymnosophists of Egypt. For he was like Empedocles, Pythagoras, Democritus and Plato who frequented those sects and yet did not embrace the (magic) art.[1]
Of what we should call magic, however, there was a plenty in the Roman Empire, as in fact the words of Dio Cassius have indicated.[2] Besides the general acceptance of divination there was a great deal of superstitious medicine. There seems to be little room for doubt that Pliny's diatribes against the medical art were justifiable, and that his own trust in marvelous medicinal properties of animals and plants was often equalled. Men of the highest eminence in public life, whom one would expect to have had at their disposal the best medical talent of the time, are reported to
- ↑ Bk. i, ch. 2 of the life of Apollonius in the works of Philostratus as edited by Gottfridus Olearius. Lipsiae, 1709. ὁμιλήσαντες μάγοις καὶ πολλὰ δαιμόνια εἴποντες οὔπω ὑπήχθησαν τῇ τέχνῃ.
- ↑ Indeed "magic," though condemned, was popular, and charlatans calling themselves "magi" did a thriving business.
piam scilicet et divini scientem, iam inde a Zoroastro et Oromazo, auctoribus suis nobilem, caelitum antistitam? Quippe qui inter prima regalia docetur, nec ulli temere inter Persas concessum est magum esse, haud magis quam regnare." This definition reminds one of Agrippa von Nettesheim's praise of "that science divine beyond all human tracing." In a less degree—for with Apuleius magic is the cult of the gods and not much concerned with material things—it recalls the high place assigned to magic by Porta and Francis Bacon.
