stance, at house-building, and at family life. A small hut of sticks and boughs is constructed in a secluded part of the jungle, and a couple or more repair thither and play at husband and wife, prepare food and carry out or imitate as best they can the act of sex. Or else a band of them, in imitation of the amorous expeditions of their elders, carry food to some favourite spot on the sea-shore or in the coral ridge, cook and eat vegetables there, and "when they are full of food, the boys sometimes fight with each other, or sometimes kayta (copulate) with the girls." When the fruit ripens on certain wild trees in the jungle they go in parties to pick it, to exchange presents, make kula (ceremonial exchange) of the fruit, and engage in erotic pastimes.[1]
Thus it will be seen that they have a tendency to palliate the crudity of their sexual interest and indulgence by associating it with something more poetic. Indeed, the Trobriand children show a great sense of the singular and romantic in their games. For instance, if a part of the jungle or village has been flooded by rain, they go and sail their small canoes on this new watery or if a very strong sea has thrown up some interesting flotsam, they proceed to the beach and inaugurate some imaginative game around it. The little boys, too, search for unusual animals, insects, or flowers, and give them to the little girls, thus lending a redeeming aesthetic touch to their premature eroticisms.
In spite of the importance of the sexual motive in the
- ↑ For a description of the real kula, cf. Argonauts of the Western Pacific.
