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The Way of All Flesh


The two are like God and Mammon. Lord Macaulay has a passage in which he contrasts the pleasures which a man may derive from books with the inconveniences to which he may be put by his acquaintances. "Plato," he says, "is never sullen. Cervantes is never petulant. Demosthenes never comes unseasonably. Dante never stays too long. No difference of political opinion can alienate Cicero. No heresy can excite the horror of Bossuet." I dare say I might differ from Lord Macaulay in my estimate of some of the writers he has named, but there can be no disputing his main proposition, namely, that we need have no more trouble from any of them than we have a mind to, whereas our friends are not always so easily disposed of. George Pontifex felt this as regards his children and his money. His money was never naughty; his money never made noise or litter, and did not spill things on the tablecloth at meal times, or leave the door open when it went out. His dividends did not quarrel among themselves, nor was he under any uneasiness lest his mortgages should become extravagant on reaching manhood and run him up debts which sooner or later he should have to pay. There were tendencies in John which made him very uneasy, and Theobald, his second son, was idle and at times far from truthful. His children might, perhaps, have answered, had they known what was in their father's mind, that he did not knock his money about as he not infrequently knocked his children. He never dealt hastily or pettishly with his money, and that was perhaps why he and it got on so well together.

It must be remembered that at the beginning of the nineteenth century the relations between parents and children were still far from satisfactory. The violent type of father, as described by Fielding, Richardson, Smollett and Sheridan, is now hardly more likely to find a place in literature than the original advertisement of Messrs. Fairlie & Pontifex's "Pious Country Parishioner," but the type was much too persistent not to have been drawn from nature closely. The parents in Miss Austen's novels are less like savage wild beasts than those of her predecessors, but she evidently looks upon

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