lamented his fate after he had met with what was considered fitting punishment for his daring attempt.
But why did the hero of the tragedy have to suffer, and what was the meaning of his “tragic” guilt? We will cut short the discussion by a prompt answer. He had to suffer because he was the primal father, the hero of that primordial tragedy the repetition of which here serves a certain tendency, and the tragic guilt is the guilt which he had to take upon himself in order to free the chorus of theirs. The scene upon the stage came into being through purposive distortion of the historical scene or, one is tempted to say, it was the result of refined hypocrisy. Actually, in the old situation, it was the members of the chorus themselves who had caused the suffering of the hero; here, on the other hand, they exhaust themselves in sympathy and regret, and the hero himself is to blame for his suffering. The crime foisted upon him, namely presumption and rebellion against a great authority, is the same as that which in the past oppressed the colleagues of the chorus, namely, the band of brothers. Thus the tragic hero, though still against his will, is made the redeemer of the chorus.
When one bears in mind the suffering of the divine goat Dionysos in the performance of the
