Greek tragedy and the lament of the retinue of goats who identified themselves with him, one can easily understand how the almost extinct drama was reviewed in the Middle Ages in the Passion of Christ.
In closing this study, which has been carried out in extremely condensed form, I want to state f the conclusion that the beginnings of religion, ethics, society, and art meet in the Oedipus complex. This is in entire accord with the findings of psychoanalysis, namely, that the nucleus of all neuroses as far as our present knowledge of them goes is the Oedipus complex. It comes as a great surprise to me that these problems of racial psychology can also be solved through a single concrete instance, such as the relation to the father. Perhaps another psychological problem must be included here. We have so frequently had occasion to show the ambivalence of emotions in its real sense, that is to say the coincidence of love and hate towards the same object, at the root of important cultural formations. We know nothing about the origin of this ambivalence. It may be assumed to be a fundamental phenomenon of our emotional life. But the other possibility seems to me also worthy of consideration: that ambivalence, originally foreign to our emotional life, was acquired by
