At last he readied the end of the street. It opened upon an immense place, where a thousand scattered lights flickered in the confused mists of night. Gringore flew thither, hoping to escape, by the swiftness of his legs, from the three infirm spectres who had clutched him.
"Onde vas, hombre?" (Where are you going, my man?) cried the cripple, flinging away his crutches, and running after him with the best legs that ever traced a geometrical step upon the pavements of Paris.
In the meantime the legless man, erect upon his feet, crowned Gringoire with his heavy iron bowl, and the blind man glared in his face with flaming eyes!
"Where am I?" said the terrified poet.
"In the Court of Miracles," replied a fourth spectre, who had accosted them.
"Upon my soul," resumed Gringoire, "I certainly do behold the blind who see, and the lame who walk, but where is the Saviour?"
They replied by a burst of sinister laughter.
The poor poet cast his eyes about him. It was, in truth, that redoubtable Cour des Miracles, whither an honest man had never penetrated at such an hour; the magic circle where the officers of the Châtelet and the sergeants of the provost-ship, who ventured thither, disappeared in morsels; a city of thieves, a hideous wart on the face of Paris; a sewer, from which escaped every morning, and whither returned every night to crouch, that stream of vices, of mendicancy and vagabondage which always overflows in the streets of capitals; a monstrous hive, to which returned at nightfall, with their booty, all the drones of the social order; a lying hospital where the bohemian, the disfrocked monk, the ruined scholar, the ne'er-do-wells of all nations, Spaniards, Italians, Germans,—of all religions, Jews, Christians, Mahometans, idolaters, covered with painted sores, beggars by day, were transformed by night into brigands; an immense dressing-room, in a word, where, at that epoch, the actors of that eternal comedy, which theft, prostitution, and murder play upon the pavements of Paris, dressed and undressed.
