Rules of Practice, as those of Hesiod and Virgil. Among these different kinds of Subjects, that which the Georgics goes upon, is I think the meanest and the least improving, but the most pleasing and delightful. Precepts of Morality, besides the Natural Corruption of our Tempers, which makes us averse to them, are so abstracted from Ideas of Sense, that they seldom give an opportunity for those Beautiful Descriptions and Images which are the Spirit and Life of Poetry. Natural Philosophy has indeed sensible Objects to work upon, but then it often puzzles the Reader with the Intricacy of its Notions, and perplexes him with the multitude of its Disputes. But this kind of Poetry I am now speaking of, addresses it self wholly to the Imagination: It is altogether Conversant among the Fields and Woods, and has the most delightful part of Nature for its Province. It raises in our Minds a pleasing variety of Scenes and Landskips, whilst it teaches us: and makes the dryest of its Precepts look like a Description. A Georgic therefore is some part of the Science of Husbandry put into a pleasing Dress, and set off with all the Beauties and Embellishments of Poetry. Now since this Science of Husbandry is of a very large extent, the Poet shews his Skill in singling out such Precepts to proceed on, as are useful, and at the same time
