INTRODUCTION.
Virgil has always been, for one reason or other, the most popular of all the old classical writers. His poems were a favourite study with his own countrymen, even in his own generation; within fifty years of his death they were admitted to the very questionable honour, which they have retained ever since, of serving as a text-book for schoolboys. The little Romans studied their Æneid, from their master's dictation, as regularly, and probably with quite as much appreciation of its beauties, as the fourth form of an English public school, and wrote "declamations" of some kind upon its heroes. In the middle ages, when Greek literature had become almost a deserted field, and Homer in the original was a sealed book even to those who considered themselves and were considered scholars, Virgil was still the favourite with young and old. The monks in their chronicles, philosophers in their secular studies, enlivened their pages with quotations from the one author with whom no man of letters would venture to confess himself wholly unacquainted. The
- A. C. vol. v.
