Page:Vitruvius the Ten Books on Architecture.djvu/100

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those who, being men of no less enthusiasm, natural ability, and dexterity than those famous artists, and who executed no less perfectly finished works for citizens of low station, are unremem­bered, not because they lacked diligence or dexterity in their art, but because fortune failed them; for instance, Teleas of Athens, Chion of Corinth, Myager the Phocaean, Pharax of Ephesus, Boedas of Byzantium, and many others. Then there were painters like Aristomenes of Thasos, Polycles and Andron of Ephesus, Theo of Magnesia, and others who were not deficient in diligence or enthusiasm for their art or in dexterity, but whose narrow means or ill-luck, or the higher position of their rivals in the strug­gle for honour, stood in the way of their attaining distinction.

3. Of course, we need not be surprised if artistic excellence goes unrecognized on account of being unknown; but there should be the greatest indignation when, as often, good judges are flattered by the charm of social entertainments into an approbation which is a mere pretence. Now if, as Socrates wished, our feelings, opin­ions, and knowledge gained by study had been manifest and clear to see, popularity and adulation would have no influence, but men who had reached the height of knowledge by means of cor­rect and definite courses of study, would be given commissions without any effort on their part. However, since such things are not plain and apparent to the view, as we think they should have been, and since I observe that the uneducated rather than the educated are in higher favour, thinking it beneath me to en­gage with the uneducated in the struggle for honour, I prefer to show the excellence of our department of knowledge by the pub­lication of this treatise.

4. In my first book, Emperor, I described to you the art, with its points of excellence, the different kinds of training with which the architect ought to be equipped, adding the reasons why he ought to be skilful in them, and I divided up the subject of archi­tecture as a whole among its departments, duly defining the lim­its of each. Next, as was preeminent and necessary, I explained on scientific principles the method of selecting healthy sites for