CHAPTER III
Blake's removal to Felpham—Intercourse with Hayley—Return to London "Jerusalem"—Connection with Cromek—Illustrations of Blair's "Grave—Illustration of Chaucer's "Canterbury Pilgrims"—Exhibition of his Works and "Descriptive Catalogue."
Blake was now about to make a change in his external environment, which would have been momentous to any artist whose themes had been less exclusively discerned by the inner eye. It is an extraordinary fact, but there is absolutely no evidence that the poet who "made a rural pen" had as yet ever seen the country beyond the immediate neighbourhood of London. It is vain to speculate upon the precise modification which might have been wrought in his genius by rural nurture or foreign travel. Now he was actually to become a denizen of the country for some years. An introduction from Flaxman had made him acquainted with William Hayley, a Sussex squire and scholar, now chiefly remembered as his patron and the biographer of Cowper, but esteemed in his own day as one of the best representatives of English poetry at what seemed the period of its deepest decrepitude, though he is unaccountably omitted in Porson's catalogue of the bards of the epoch.[1] Hayley, having lost his son, a pupil of Flaxman, and his friend Cowper within a week of each other in the spring of 1800, resolved to solace his grief by writing Cowper's life, and suggested that Blake should live near him during the progress of the work to execute the engravings by which it was to be illustrated. In August, 1800, Blake removed from Lambeth to Felpham, near Bognor, on the Sussex coast, where Hayley occupied a marine villa, his own residence at Eastham being let on account of
- ↑
Poetis nos lactamur tribus,
Pye, Petro Pindar, parvo Pybus;
Si ulterius ire pergis,
Adde his Sir James Bland Burges.
