Page:Works of Tagore from the Modern Review, 1909-24 Segment 1.pdf/227

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GIRIBALA
503

the play had ended and the lamps would soon be put out.

It was late when Giribala came back home. A kerosene lamp was dimly burning in the melancholy solitude and silence of her room. Near the window upon her lonely bed a mosquito curtain was gently moving in the breeze. Her world seemed to her distasteful and mean like a rotten fruit swept into the dustbin.

From now she regularly visited the theatre every Saturday. The fascination of her first sight of it lost much of its glamour. The painted vulgarity of the actresses and the falseness of their affectation became more and more evident, yet the habit grew upon her. Every time the curtain rose the window of her life's prison-house seemed to open before her and the stage, bordered off from the world of reality by its gilded frame and scenic display, by its array of lights and even its flimsiness of conventionalism, appeared to her like a fairyland where it was not impossible for herself to occupy the throne of the fairy queen.

When for the first time she saw her husband among the audience shouting his drunken admiration for a certain actress she felt an intense disgust and prayed in her mind that a day might come when she might have an opportunity to spurn him away with her contempt. But the opportunity became rarer every day, for Gopinath was hardly ever to be seen at his home now, being carried away, one knew not where, in the centre of a dust-storm of dissipation.

One evening in the month of March, in the light of the full moon, Giribala was sitting on her terrace dressed in her cream-coloured robe. It was her habit daily to deck herself with jewellery as if for some festive occasion. For these cosily gems were like wine to her—they sent heightened consciousness of beauty to her limbs; she felt like a plant in spring tingling with the impulse of flowers in all its branches. She wore a pair of diamond bracelets on her arms, a necklace of rubies and pearls on her neck, and a ring with a big sapphire on the little finger of her left hand. Sudha was sitting near her bare feet admiringly touching them with her hand and expressing her wish that she were a man privileged to offer her life as homage to such a pair of feet.

Sudha gently hummed a lovesong to her and the evening wore on to night. Everybody in the household had finished their evening meal and gone to sleep. When suddenly Gopinath appeared reeking with scent and liquor, and Sudha drawing for cloth-end over her face, hastily ran away from the terrace.

Giribala thought for a moment that her day had come at last. She turned away her face and sat silent.

But the curtain in her stage did not rise and no song of entreaty came from her hero, with the words—

"Listen to the pleading of the moonlight, my love, and hide not thy face."

In his dry unmusical voice Gopinath said, "Give me your keys."

A gust of south wind like a sigh of the insulted romance of the poetic world scattered all over the terrace the smell of the night-blooming jasmines and loosened some wisp of hair on Giribala's cheek. She let go her pride, and got up and said: "You shall have your keys if you listen to what I have to say."

Gopinath said, "I cannot delay. Give me your keys."

Giribala said, "I will give you the keys and everything that is in the safe, but you must not leave me."

Gopinath said, "That cannot be. I have urgent business."

"Then you shan't have the keys," said Giribala.

Gopinath began to search for them. He opened the drawers of the dressing table, broke open the lid of the box that contained Giribala's toilet requisites, smashed the glass panes of her almirah, groped under the pillows and mattress of the bed, but the keys he could not find. Giribala stood near the door stiff and silent like a marble image gazing at vacancy. Trembling with rage Gopinath came to her and said with an angry growl, "Give me your keys or you will repent."

Giribala did not answer and Gopinath, pinning her to the wall, snatched away by force her bracelets, necklace and ring, and, giving her a parting kick, went away.

Nobody in the house woke up from his sleep, none in the neighbourhood knew of this outrage, the moonlight remained placid and the peace of the night undisturbed. Hearts can be rent never to heal again amidst such serene silence.

The next morning Giribala said she was going to see her father and left home. As