The Illustrated Key to the Tarot
The Illustrated Key
To The Tarot
THE VEIL OF DIVINATION
Illustrating The Greater And Lesser Arcana
EMBRACING
THE VEIL AND ITS SYMBOLS. SECRET TRADITION UNDER THE VEIL OF DIVINATION. ART OF TAROT DIVINATION. OUTER METHOD OF THE ORACLES. THE TAROT IN HISTORY. INNER SYMBOLISM. THE GREATER KEYS.
By
L. W. de Laurence
Author Of, The Master Key. The Immanence Of God, Know Thyself. God, The Bible, Truth And Christian Theology. Medical Hypnosis And Magnetic Hypnotism. Manual Of Disease And Modern Medicine. Valmondi: The Old Book Of Ancient Mysteries. The Dead Man’s Home. Self-Consciousness In Public. The Great Book Of Magical Art, Hindu Magic And East Indian Occultism, A Self Guide For All Men, Etc., Etc.
The de Laurence Company
Chicago, Ill., U. S. A.
Copyright, 1918
by
de LAURENCE, SCOTT, & CO.
SPECIAL NOTICE
The illustrations, cover design, and contents of this Volume are protected by copyright, and must not be reproduced or copied without written permission from the Publishers.
Disregard of this warning will subject the offender to the penalty provided by law.
This book is manufactured in strict conformity with Government regulations for saving paper.
Printed in U. S. A.
THE ILLUSTRATED KEY TO THE TAROT
Preface
It seems rather of necessity than predilection in the sense of apologia that I should put on record in the first place a plain statement of my personal position, as one who for many years of literary life has been, subject to his spiritual and other limitations, an exponent of the higher mystic schools. It will be thought that I am acting strangely in concerning myself at this day with what appears at first sight and simply a well-known method of fortune-telling. Now, the opinions of some, even in the literary reviews, are of no importance unless they happen to agree with our own, but in order to sanctify this doctrine we must take care that our opinions, and the subjects out of which they arise, are concerned only with the highest. Yet it is just this which may seem doubtful, in the present instance, not only to those, whom I respect within the proper measures of detachment, but to some of more real consequence, seeing that their dedications are mine. To these and to any I would say that after the most illuminated Frater Christian Rosy Cross had beheld the Chemical Marriage in the Secret Palace of Transmutation, his story breaks off abruptly, with an intimation that he expected next morning to be door-keeper, After the same manner, it happens more often than might seem likely that those who have seen the Occult Powers of Nature through the most clearest veils of the sacraments are those who assume thereafter the humblest offices of all about the House of Wisdom. By such simple devices also are the Adepts and Great Masters in the secret orders distinguished from the cohort of Neophytes as servi servorum mysterii. So also, or in a way which is not entirely unlike, we meet with the Tarot cards at the outermost gates—amidst the fritterings and débris of the so-called occult arts, about which no one in their senses has suffered the smallest deception; and yet these cards belong in themselves to another region, for they contain a very high symbolism, which is interpreted according to the Laws of Grace rather than by the pretexts and intuitions of that which passes for divination. The fact that the wisdom of God (Nature) is foolishness with men does not create a presumption that the foolishness of this world makes in any sense for Divine Wisdom; so neither the scholars In the ordinary classes nor the pedagogues in the seats of the mighty will be quick to perceive the likelihood or even the possibility of this proposition. The subject has been in the hands of cartomancists as part of the stock-in-trade of their industry; I do not seek to persuade any one outside my own circles that this is of much or of no consequence; but on the historical and interpretative sides it has not fared better; it has been there in the hands of exponents who have brought it into utter contempt for those people who possess philosophical insight or faculties for the appreciation of evidence. It is time that it should be rescued, and this I propose to undertake once and for all, that I may have done with the side issues which distract from the term. As poetry is the most beautiful expression of the things that are of all most beautiful, so is symbolism the most catholic expression in concealment of things that are most profound in the Sanctuary and that have not been declared outside it with the same fullness by means of the spoken word. The justification of the rule of silence is no part of my present concern, but I have put on record elsewhere, and quite recently, what it is possible to say on this subject.
The little treatise which follows is divided into three parts, in the first of which I have dealt with the antiquities of the subject and a few things that arise from and connect therewith. It should be understood that it is not put forward as a contribution to the history of playing cards, about which I know and care nothing; it is a consideration dedicated and addressed to a certain school of occultism, more especially in France, as to the source and center of all the phantasmagoria which has entered into expression during the last fifty years under the pretense of considering Tarot cards historically. In the second part, I have dealt with the symbolism according to some of its higher aspects, and this also serves to introduce the complete and rectified Tarot, which is available separately, in the form of colored cards, the designs of which are added to the present text in black and white. They have been prepared under my supervision—in respect of the attributions and meanings—by a lady who has high claims as an artist. Regarding the divinatory part, by which my thesis is terminated, I consider it personally as a fact in the history of the Tarot; as such, I have drawn, from all published sources, a harmony of the meanings which have been attached to the various cards, and I have given prominence to one method of working that has not been published previously; having the merit of simplicity, while it is also of universal application, it may be held to replace the cumbrous and involved systems of the larger hand-books.
CONTENTS
Preface |
3 |
PART I
| 7 |
§ 1.—Introductory And General.
§ 2.—Class I. The Trumps Major, Otherwise Greater Arcana.
§ 3.—Class II. The Four Suits, Otherwise Lesser Arcana.
§ 4.—The Tarot In History.
PART II
| 33 |
§ 1.—The Tarot And Secret Tradition.
§ 2.—The Trumps Major And Their Inner Symbolism.
§ 3.—Conclusion As To The Greater Keys. PART III
| 85 |
§ 1.—Distinction Between The Greater And Lesser Arcana.
§ 2.—The Lesser Arcana, Otherwise, The Four Suits Of Tarot Cards.
- The Suit Of Wands.
- The Suit Of Cups.
- The Suit Of Swords.
- The Suit Of Pentacles.
§ 3.—The Greater Arcana And Their Divinatory Meanings.
§ 4.—Some Additional Meanings Of The Lesser Arcana.
§ 5.—The Recurrence Of Cards In Dealing.
§ 6.—The Art Of Tarot Divination.
§ 7.—An Ancient Celtic Method Of Divination.
§ 8.—An Alternative Method Of Reading The Tarot Cards.
§ 9.—The Method Of Reading By Means Of Thirty-five Cards.
BIBLIOGRAPHY
| 164 |
This work is in the public domain in the United States because it was published in 1918, before the cutoff of January 1, 1929.
The longest-living author of this work died in 1936, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 87 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse